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Self-guided Tour in Honor of Hispanic Heritage Month at the de Young

Hispanic Heritage Month is celebrated every September 15 through October 15. California's identity is deeply rooted in Hispanic culture, and its influence can be felt throughout the streets of San Francisco and throughout the Fine Arts Museums. Here at the de Young, the Art of the Americas and the American Art department boast significant artworks by artists of Hispanic descent . We hope that you enjoy this self-guided tour of the artwork created by this incredibly rich and diverse cultural group.

El mes de la Herencia Hispana se celebra empezando el 15 de septiembre y concluye el 15 de octubre. La identidad de California está profundamente arraigada en la cultura hispana y su influencia se puede sentir a lo largo de las calles de San Francisco y en los Fine Arts Museums . Aquí en el museo de Young los departamentos del Arte de las Américas y el arte de América cuentan con obras de arte significantes de artistas de decendencia Hispana. Esperamos que disfrute de este recorrido autoguiado de la obra de arte creada por este grupo cultural importante y diverso.

Feathered Serpent (detail), A.D. 600–750. Mexico, Teotihuacan, Techinantitla. Volcanic ash, lime, mineral pigment, and mud backing. Bequest of Harald J. Wagner. 1985.104.1a-b

Will Work for Art: Chris Huson

"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we meet Chris Huson, the Museums' courier, whose tireless trips between the two museums keep the staff in communication with each other and the outside world. Originally from Chicago, Chris has been with the Museums for thirty-two years!

Art Students Draw Inspiration from Museum Masterpieces

The academic tradition of learning to draw by imitating the works of established masters has been alive for centuries. Professor Rick Rodrigues has been bringing this rich tradition the Fine Arts Museums of San Francisco since 1995, when he initiated a partnership between the City College of San Francisco and the Museums. Professor Rodrigues's drawing classes cover a variety of skills and techniques, ranging from basic life-drawing using models and tone-drawing to more obscure old-master techniques, such as silverpoint drawing or staining with tea or coffee. His much-beloved classes are a deeply fulfilling experience, giving  young artists the opportunity to learn from art history's old masters directly in the museum setting.

Visitors are always welcome to sketch in the Museums' permanent collection galleries. Sketching in special exhibition galleries is by permission only and subject to lender and gallery restrictions. Please see our museum policies for more information.

Sketching in the Rodin Gallery at the Legion of Honor

City College San Francisco Students sketching in the Rodin Gallery at the Legion of Honor.

Education intern Megan Friel recently sat down with Professor Rodrigues, who is still passionately committed to the academic tradition of museum drawing after 16 years of teaching, to discuss his experiences directing the program.

Ancient Art Teachers Institute at the Legion of Honor

The Fine Arts Museums’ collection of antiquities has played a central role in the development of both the de Young and the Legion of Honor. This summer, we offered a teacher institute for sixth grade teachers to enrich their schools by using our ancient art collections in their curricula. This program, presented in partnership with the UC Berkeley History–Social Studies Project (UCBH-SSP), gave teachers the tools to teach students how to think like historians.

Thinking Outside the Crayon Box at the Friday Nights Art Table

Guest blogger Danica Gomes is an intern in the Public Programs Department.

The art table has become a fixture of Friday Nights at the de Young. Every Friday kids, adults, regulars, and newcomers all crowd around paper-covered tables to take part in the evening’s hands-on art project. The projects are created and led by one of three museum artists, Suzanne Couture, Christian Davies, or Lisa Hubbard, and are always reflective of and inspired by special exhibitions. This summer, drawing on Picasso: Masterpieces from the Musée National Picasso, Paris, the art table has adapted Picasso’s definitive modes of expression and represented themes into activities designed for the general public.

Great Women Artists at the de Young

Forty years ago, Linda Nochlin published her seminal article "Why Have There Been No Great Women Artists?" spurring art historians and curators to reexamine the contributions of women artists over time. Since then, the landscape of the world’s art institutions has changed drastically. Here at the de Young, we often receive inquiries about the presence (or perceived lack) of women artists in the museum. In response, we have created a self-guided tour highlighting women artists at the de Young.

Will Work for Art: Paul Palacios

"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the tech shop, where preparator Paul Palacios installs the art that makes the galleries and exhibitions you see possible! Originally from Texas, Paul has been with the Museums for almost thirteen years, minus the two he spent working at the Asian Art Museum during the construction of the new de Young.

A Day in the Life of the Museum Ambassadors

Last week you met the Museum Ambassadors, a highly motivated group of high school students trained to educate younger students about all things art. Today, we give you a sneak peek into the work that they do here at the Museums.

Weeks before we begin giving community tours, we memorize our scripts with our fellow ambassadors.

Every Which Way But Up

When installing a painting or sculpture for exhibition, determining the correct orientation of the work is (perhaps obviously) paramount. When discussing modern art, a seemingly simple question like “Which side is up?” can become much more complicated; and occasionally when dealing with abstract art, this determination can be downright perplexing.

Two paintings recently reinstalled in Gallery 50 at the de Young have raised this question for years. Since they first arrived at the Museums, Georgia O’Keeffe’s Petunias and Arthur Dove’s Sea Gull Motive have puzzled viewers and art historians alike.

Georgia O'Keeffe (American, 1887–1986). Petunias, 1925. Oil on hardboard panel. Museum purchase, gift of the M. H. de Young Family. 1990.55. © Georgia O'Keeffe Museum

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