Before there were digital image files and even before there was film, photographers captured images on glass plate negatives. In the collection of the Fine Arts Museums of San Francisco there are over seventy of these glass plate negatives depicting scenes of Land’s End and old San Francisco. Discovered in the basement of the old de Young, these century-old negatives were in desperate need of cleaning and re-housing. When the negatives came into the paper conservation lab at the Legion of Honor for proper care, the labor intensive project proved a perfect opportunity for pre-program conservation student Jennifer Martinez.
Guest-blogger Tim Svenonius is the interpretive media producer at the San Francisco Museum of Modern Art and an artist in his own right. Here he shares his insights and reflections after seeing Matter + Spirit: The Sculpture of Stephen De Staebler on view at the de Young through May 13.
FRAME|WORK is a weekly blog series highlighting an artwork in the Museums’ permanent collection. This week we take a closer look at Claude Monet’s impressionist depictiion of the Grand Canal in Venice, from 1908.
Today’s guest blogger is 2012 de Young Artist Fellow Monique Jenkinson (aka Fauxnique). During her yearlong fellowship, she is focusing on the Museums’ costume and textiles collection, particularly the work of Jean Paul Gaultier as represented in the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk (on view at the de Young through August 19). This Friday Night at the de Young, April 27, Jenkinson presents Making Scenes, a curated evening that includes a new dance/installation piece entitled Our People, inspired by the work of Gaultier—his icons, his fetishes and his light-hearted, humanistic irreverence. Here she shares with us the creative process behind the making of Our People.
Two weeks ago we introduced you to Geoffrey De Sousa’s concept for the Pavonia Room. Inspired by the special exhibition The Cult of Beauty: The Victorian Avant-Garde 1860–1900 (on view at the Legion of Honor through June 17), De Sousa’s gentleman’s study will be installed at the San Francisco Decorator Showcase opening this Saturday, April 28. Today, De Sousa serves as a guest-blogger to unveil the completed space.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums permanent collections. Today we commemorate the 1906 earthquake and ensuing fire that ravaged the majority of San Francisco. Arnold Genthe’s Untitled (Portals of the Past), a jewel of the Museums’ photography collection, provides a look back at that dark day. This photograph is currently not on display, so please enjoy this exclusive virtual viewing.
From his earliest forays into fashion design, Jean Paul Gaultier utilized surprising and sometimes recycled materials. As a child, inspired by his grandmother’s corset, Gaultier repurposed crumpled newspaper to create the conical-shaped falsies that he attached to his beloved teddy bear, Nana. Entering its seventh year, Discarded to Divine—an event that auctions off designer duds made from donated clothing to benefit the homeless—exemplifies Gaultier’s earliest instincts to recycle with style and purpose.