I admit it: I LOVE museums. I have a sense of wonder every time I walk into one, and (obviously) art museums are among my favorites. But sometimes my kids get a little bored or start to complain after an overdose of paintings and sculptures, so I was thrilled last month when the de Young was transformed into a magical wonderland where children and their families romped, danced, and experienced art in a whole new way. The de Youngsters: A Bigger Family Party, the inaugural celebration of the next generation of museum-goers and art patrons, brought children, parents, and the Fine Arts Museums of San Francisco together for a night of pure joy.
When I joined the Fine Arts Museums of San Francisco as an intern nearly a year ago, I was charged with the dream-of-a-lifetime task of adding works from the de Young’s collection to the Google Art Project, an online collections database.
January Artist-in-Residence John Zaklikowski has titled his residency Culture and Physics Collide, an apt description for his artwork which utilizes a wide variety of technological materials and meets at the intersection of art and science. His large-scale assemblages investigate notions of perception and optical illusion, illustrating the interplay of art, science, literature, and cultural studies.
Before I joined the Fine Arts Museums seven years ago as an editor, I did not know such a job existed in the museum world. It is not a role that merits much attention—in fact, the more invisible the editor’s hand, the better. But if you look around at the museums, you will understand how important an editor is. From humble signage directing your way to hefty exhibition catalogues, a huge range of text in a variety of forms is issued by the Museums, all reviewed by a team of three editors in the publications department.
This post was written by Erica Wong and Brinker Ferguson
Digital media interpretive fellow Brinker Ferguson and graphic designer Erica Wong recently worked together to create a 2D animation geared toward school-age children in association with The Salon Doré: Conservation of a Period Room. One of the first endeavors of its kind at the Fine Arts Museums of San Francisco, this animation was put together jointly by Brinker and Erica. This is their story.
We all have those people in our lives who are difficult to shop for, whether they’re super stylish, seem to have everything, or are just plain picky. Luckily, the Holiday Artisan Fair at the de Young offers a unique variety of gifts for everyone on your list. Now in its seventh year, the season’s best shopping event features 17 of the Bay Area’s top artisans displaying their unique wares. An extensive variety of jewelry, textiles, home accessories, books, stationery and gifts for kids make the Holiday Artisan Fair the perfect opportunity to buy local and meet the artisans
November Artist-in-Residence Ana Teresa Fernandez enacts and participates in the intersection of politics and personal identity through painting, performance, and video. Her work illuminates the barriers, both psychological and physical, that confine and divide gender, race, and class in western society and the global south.
De Young Artist Fellow Lenora Lee’s talents are unquestionable, but perhaps the key to her success is the incredible community that she’s built around herself. Her upcoming performance includes a long list of artistic collaborators: musicians, dancers, martial artists, a multimedia designer, a poet, filmmakers, and a lighting designer. Lee’s diverse collaborations create a variety of access points for audiences, and for Lee, those points of connection are of the most important part of each performance. Together Lee and her collaborators have created two new performances, The Escape and Rescued Memories: New York Stories, which will be performed at the de Young this November.