Collections

Music, Muses and Divas in the Art of the Victorian Avant-Garde

Tomorrow, May 12, 2012, the Legion of Honor presents Music, Muses and Divas , public programs associated with The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (on view through June 17). Premier scholars of Victorian art Tim Barringer and Peter Trippi lecture on the complmentary topics of music and theater in the context of the Aesthetic Movement. We asked our lecturers a few questions about their respective talks to provide insight into the day’s presentations.

Saint Cecilia

John William Waterhouse, Saint Cecilia, 1895, oil on canvas. Private Collection

Mystery Glass Negatives from Land's End

Before there were digital image files and even before there was film, photographers captured images on glass plate negatives. In the collection of the Fine Arts Museums of San Francisco there are over seventy of these glass plate negatives depicting scenes of Land’s End and old San Francisco. Discovered in the basement of the old de Young, these century-old negatives were in desperate need of cleaning and re-housing. When the negatives came into the paper conservation lab at the Legion of Honor for proper care, the labor intensive project proved a perfect opportunity for pre-program conservation student Jennifer Martinez.

Foundation of Cliff House

Foundation of Cliff House, c. 1895

Outlasting Eternity: A Reflection on the Figures of Stephen De Staebler

Guest-blogger Tim Svenonius is the interpretive media producer at the San Francisco Museum of Modern Art and an artist in his own right. Here he shares his insights and reflections after seeing Matter + Spirit: The Sculpture of Stephen De Staebler on view at the de Young through May 13.

Three Figures

From left to right: Man with Broad Chest, 2010. Bronze with patina. Courtesy of Dolby Chadwick Gallery, San Francisco; Winged Woman Walking I, 1987. Bronze with patina. Courtesy of Dolby Chadwick Gallery, San Francisco; Winged Figure with Three Legs, 2003. Collection of Peter and Beverly Lipman, Portola Valley, California.

FRAME|WORK: The Grand Canal, Venice by Claude Monet

FRAME|WORK is a weekly blog series highlighting an artwork in the Museums’ permanent collection. This week we take a closer look at Claude Monet’s impressionist depictiion of the Grand Canal in Venice, from 1908.

The Grand Canal, Venice

FRAME|WORK: Untitled XX by Willem de Kooning

Yesterday was the birthday of renowned Abstract Expressionist painter Willem de Kooning. Today’s FRAME|WORK—a weekly blog series highlighting an artwork in the permanent collection—features de Kooning’s 1977 painting, Untitled XX, which is currently on view in Gallery 15 at the de Young Museum.

Untitled XX

Willem de Kooning (American, 1904–1997). Untitled XX, 1977. Oil on canvas. Museum purchase, gift of Nan Tucker McEvoy. 2002.1

Love and the Maiden: A Harmony of Hues

In this installment of our continuing blog series examining key elements of the Aesthetic Movement through the lens of John Stanhope’s masterwork Love and the Maiden (typically on view in gallery 18 at the Legion of Honor and currently on view in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900), curatorial assistant of European art Melissa Buron takes a closer look at color.

Love and the Maiden

John Roddam Spencer Stanhope (English, 1829–1908). Love and the Maiden, 1877. Tempera, gold paint and gold leaf on canvas. Museum purchase, European Art Trust Fund, Grover A. Magnin Bequest Fund and Dorothy Spreckels Munn Bequest Fund. 2002.176

FRAME|WORK: Untitled (Portals of the Past) by Arnold Genthe

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums permanent collections. Today we commemorate the 1906 earthquake and ensuing fire that ravaged the majority of San Francisco. Arnold Genthe’s Untitled (Portals of the Past), a jewel of the Museums’ photography collection, provides a look back at that dark day. This photograph is currently not on display, so please enjoy this exclusive virtual viewing.

Portals of the Past

Arnold Genthe (American, b. Prussia, 1869–1942). Untitled (Portals of the Past), 1906 (printed 1956). Gelatin silver print. Museum purchase, James D. Phelan Bequest Fund. 1943.407.130.2

Discarded to Divine at the de Young!

From his earliest forays into fashion design, Jean Paul Gaultier utilized surprising and sometimes recycled materials. As a child, inspired by his grandmother’s corset, Gaultier repurposed crumpled newspaper to create the conical-shaped falsies that he attached to his beloved teddy bear, Nana. Entering its seventh year, Discarded to Divine—an event that auctions off designer duds made from donated clothing to benefit the homeless—exemplifies Gaultier’s earliest instincts to recycle with style and purpose.

FRAME|WORK: The Garden Bench by James Tissot

During the second half of the 19th century, the face of European art history was altered by artists on both sides of the English Channel. This week’s FRAME|WORK features Le Banc de Jardin (The Garden Bench ), a print by French artist James Tissot, who was as at home with the Victorian avant-garde in London as he was with the Impressionists in Paris. This print is currently on display in Gallery 18 at the Legion of Honor and Tissot’s painting also appears in the special exhibition The Cult of Beauty: The Victorian Avant-Garde, 1860–1900.

The Garden Bench

James Tissot (French, 1836–1902) Le Banc de Jardin (The Garden Bench), 1883. Mezzotint. Gift of Edward Tyler Nahem. 2003.151.68

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