Collections

The de Young Celebrates the 100th Anniversary of the San Francisco Symphony

Both the de Young and the San Francisco Symphony have been fixtures on the San Francisco arts and culture scene for over a century, the de Young originating from the 1894 Midwinter Fair and the Symphony celebrating an auspicious 100th anniversary this year. Our two institutions have a history of collaboration and cooperation, the most notable of which is the loan of the Fine Arts Museums’ priceless 18th-century Guarnerius violin—a bequest of famed musician Jascha Heifetz—to the symphony, where it is played by concertmaster Alexander Barantschik during performances at Davies Symphony Hall and the Legion of Honor’s Florence Gould Theater.

William Michael Harnett (American, 1848–1892). The Old Violin, ca. 1886. Lithograph on plate glass (reverse glass print). Gift of Mr. and Mrs. Joseph Brotherton in memory of Harry Packard. 2001.40

FRAME|WORK: Calavera de Don Folias y el Negrito by Jose Guadalupe Posada

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. Today we honor the culture of Día de los Muertos with a print from master Mexican graphic artist José Guadalupe Posada. This artwork is currently not on display, so we hope you enjoy this exclusive virtiual viewing.

Will Work for Art: Natasa Morovic

"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the intriguing world of frame conservation to meet Natasa Morovic (imagine an “h” after the “s” in her first name, and after the “c” in her last name, and you get the right pronunciation). Natasa is the associate frames conservator working in Paintings Conservation. Originally from Slovenia, she has worked with the Museums for fourteen years!

Masters of Masquerade

As we simultaneously prepare for Halloween and the opening weekend of Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthisorisches Museum, Vienna (which opens tomorrow, October 29), what better topic to kick off the festivities than a post about the sumptuous tradition of masquerade?

FRAME|WORK: A Mask Fan from Eighteenth-Century England

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, in a joint celebration of Halloween and the imminent opening of Masters of Venice: Renaissance Painters of Passion and Power, we feature an extraordinary mask fan from the department of Textile Arts.

Mask fan, England, 1740–1750. Opaque watercolor on vellum; ivory sticks. Gift of Susanne King Morrison in memory of Elizabeth Brant King. 1980.66

Finding Hidden Treasures at the San Francisco Fall Antiques Show

The annual San Francisco Fall Antiques Show (SFFAS) has longstanding ties with the Fine Arts Museums, sharing benefactors, lenders, board members, and volunteers, including special project curator of European Decorative Arts and Sculpture, Maria Santangelo. For the past several years, Santangelo has donated her curatorial capabilities to the exhibition that serves as the centerpiece of the fair.

An Interview with October Artist-in-Residence Glenda Joyce Hape

The Artist-in-Residence program resumes this month in the Kimball Education Gallery with Glenda Joyce Hape, a Māori artist from New Zealand. Glenda is a weaver who combines traditional and contemporary techniques and materials to create Māori kakahu, or cloaks. We recently sat down with Glenda to discuss her background, practice, and inspiration.

FRAME|WORK: A Māori cloak

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exemplary Māori cloak from the Museums’ inaugural collections (currently on display at the de Young) in honor of the October Artist-in-Residence, Māori weaver Glenda Joyce Hape.

Celebrities in our Closets

Clothes tell a story. Here at the Fine Arts Museums, our closets are filled with gowns, costumes, and accessories worn by countless cultural icons of days gone by. Today we give you a rare glimpse into our vaults as we reveal some of the most famous skeletons in our closet!

Fred Astaire

We don’t have any top hats, white ties or tails worn by the light-as-air Mr. Astaire, but we do have this bright red Chinese costume (with shoes!) that he wore in the “Limehouse Nights” sequence of MGM’s film Ziegfeld Follies, 1944.

Jacket, pants and shoes for Chinese film costume, Fred Astaire, 1944. United States. Orange-red wool, red-gold lame, red suede. Theater and Dance Collection, gift of Mrs. Gladys Lloyd Robinson. T&D1962.115a-d

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