Collections

Art History: An Immersive Education

“The museum is a perfect environment within which to study art, there is none better,” says Dr. Maria Cheremeteff, professor of art history at City College of San Francisco.

Slides are projected onto a screen in a darkened old-fashioned theater

Art History 102: Western Art History, Byzantine Empire to 1800 taught in the Florence Gould Theater

Slow Art Day at the de Young and Legion of Honor

On Saturday, April 12, the de Young, the Legion of Honor, and dozens of other museums and galleries around the world will participate in Slow Art Day. Like the National Day of Unplugging, which encourages people to power down their smartphones and socialize face-to-face, Slow Art Day’s mission is to enable new connections with art that otherwise might be lost in the everyday blur of activity.

Keeping It Green with Bouquets to Art Flower Designer Emily Dreblow

Emily Dreblow, founder of Soulflower Design Studio in San Francisco, is working on a floral creation for Bouquets to Art 2014—it’s her 5th year participating in the de Young’s art-inspired flower exhibition. Dreblow likes to approach her work with a focus on two values that are near and dear to San Francisco’s heart: community and sustainability.

A brunette woman in a teal top stands in front of a picture of succulent plants

Modern Nature Revealed

In this Q&A Timothy Anglin Burgard, Fine Arts Museums of San Francisco curator in charge of American art, answers all your burning questions about Modern Nature: Georgia O’Keeffe and Lake George, on view through May 11 at the de Young.

Behind the Screens of the Google Art Project

Google Art Project at the de Young

When I joined the Fine Arts Museums of San Francisco as an intern nearly a year ago, I was charged with the dream-of-a-lifetime task of adding works from the de Young’s collection to the Google Art Project, an online collections database.

Q&A with January Artist-in-Residence John Zaklikowski

January Artist-in-Residence John Zaklikowski has titled his residency Culture and Physics Collide, an apt description for his artwork which utilizes a wide variety of technological materials and meets at the intersection of art and science. His large-scale assemblages investigate notions of perception and optical illusion, illustrating the interplay of art, science, literature, and cultural studies. 

The Art Editor's Library

Before I joined the Fine Arts Museums seven years ago as an editor, I did not know such a job existed in the museum world. It is not a role that merits much attention—in fact, the more invisible the editor’s hand, the better. But if you look around at the museums, you will understand how important an editor is. From humble signage directing your way to hefty exhibition catalogues, a huge range of text in a variety of forms is issued by the Museums, all reviewed by a team of three editors in the publications department.

A shelf filled with books

Animation Collaboration

This post was written by Erica Wong and Brinker Ferguson

Digital media interpretive fellow Brinker Ferguson and graphic designer Erica Wong recently worked together to create a 2D animation geared toward school-age children in association with The Salon Doré: Conservation of a Period Room. One of the first endeavors of its kind at the Fine Arts Museums of San Francisco, this animation was put together jointly by Brinker and Erica. This is their story.

Q&A with November Artist-in-Residence Ana Teresa Fernandez

November Artist-in-Residence Ana Teresa Fernandez enacts and participates in the intersection of politics and personal identity through painting, performance, and video. Her work illuminates the barriers, both psychological and physical, that confine and divide gender, race, and class in western society and the global south.

A woman dressed in black climbing over a metal fence.
Borrando Frontera by Ana Teresa Fernandez

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