Blog Category: New acquisitions

Stella!!!

Step into Gallery 14 at the de Young and you will immediately encounter the riot of geometric color that is Frank Stella’s impressive 12-foot-square painting, Lettre sur les aveugles II (1974). This vibrant new acquisition represents the first of Stella’s paintings to enter the permanent collection of the Fine Arts Museums of San Francisco.

Frank Stella's Lettre sur les aveugles II, 1974

Frank Stella (American, b. 1936). Lettre sur les aveugles II, 1974. Synthetic polymer paint on canvas. Museum Purchase, Phyllis C. Wattis Fund for Major Accessions. 2013.1

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Forty Years of Keith

The year 2012 represents a milestone for Chuck Close, the Crown Point Press, and the Fine Arts Museums of San Francisco’s works on paper department, the Achenbach Foundation for Graphic Arts. Chuck Close and Crown Point Press: Prints and Processes, the special exhibition currently on view in the Anderson Gallery, honors these lasting relationships.

Keith1

Trial proof for Keith, 1972. Mezzotint. Crown Point Press Archive, Museum purchase, Bequest of Whitney Warren, Jr. in memory of Mrs. Adolph B. Spreckels. 1991.28.98

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Designing Arthur Tress: San Francisco 1964

This weekend marks your last chance to experience the special exhibition Arthur Tress: San Francisco 1964, on view at the de Young until June 3. As book designer and guest blogger Martin Venezky aptly notes, the catalogue represents a lasting impression of an otherwise temporary exhibition. Today, Venezky shares with us the process behind the creation of this unique publication.

The catalogue for the special exhibition Arthur Tress: San Francisco 1964 provides a nice case study into the inner workings of a book design. The book itself is deceptively simple. It contains reproductions of sixty-eight photographs from the exhibition, an essay, an interview, locations and credits, a foreword, and a set of additional images—some historical, some personal, and some working contact sheets. But beneath the seemingly placid surface there were hundreds of options to consider and decisions to make.

Cover

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Conservation in 3D: Skype, Stereographs and Silicon

Recently one of the Museums’ most generous supporters, Dorothy Saxe, purchased a sculpture for the collection in memory of our late director John E. Buchanan. Created by contemporary glass artist Beth Lipman, Candlesticks, Books, Flowers and Fruit (2010) is a complex compilation of multiple elements balanced precariously on a table. My role as an objects conservator is to ensure that all the elements of this fragile sculpture are installed safely and in keeping with the artist’s original intent.

Lipman

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More Real than Real: The Photography of Ralph Eugene Meatyard

Photographs, a ubiquitous component of contemporary life, serve as an ever-evolving record of our lives and those of our friends and family. Children provide an immediate source of inspiration, and many new parents quickly adopt the role of amateur photographer. But few become as skilled and engaged in the medium as Ralph Eugene Meatyard, whose haunting photography is presented in the exhibition Ralph Eugene Meatyard: Dolls and Masks, opening at the de Young this Saturday, October 8.

Untitled, ca. 1960–1962, gelatin silver print, museum purchase, John Pritzker Fund, 2011.4.1

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FRAME|WORK: Migration by Jacob Lawrence

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. Today, in honor of Jacob Lawrence's birthday, we feature his compelling masterwork Migration, currently on display at the de Young.

Jacob Lawrence (American, 1917–2000). Migration, 1947. Egg tempera on hardboard. Museum purchase, American Art Trust Fund, Dr. Leland A. and Gladys K. Barber Fund and Gift of Mr. and Mrs. John D. Rockefeller 3rd, by exchange. 2010.1

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