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Blog Category: Collections

FRAME|WORK: Children’s story (water dreaming for two children) by Johnny Warangkula Tjupurrula

Posted by Sarah Bailey Hogarty on April 4, 2012

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a painting by Johnny Warangkula Tjupurrula, a member of the Papunya Tula artist collective. Children’s story (water dreaming for two children) is currently on loan to Australia's National Gallery of Victoria.

Water Dreaming

Johnny Warangkula Tjupurrula (Pintupi/Luritja, 1925–2001). Children’s story (water dreaming for two children), 1972. Australia, Western Desert, Papunya Tula settlement. Pressboard, tempera pigment. Gift of the Gantner Myer Aboriginal Art Collection. 2002.70.2

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Matter + Spirit: A Conversation with Danae Mattes

Posted by Leslie Dutcher on April 2, 2012

The exhibition Matter + Spirit: The Sculpture of Stephen De Staebler is on view at the de Young Museum through May 13. Stephen De Staebler’s widow, the artist Danae Mattes, worked closely with the Museums on this exhibition and its accompanying catalogue. She shares with the Museums’ managing editor of publications, Leslie Dutcher, some of her impressions of Stephen De Staebler’s work and her collaboration with him.

De Staebler and his work

Left: Stephen De Staebler, ca. 1995. Right: Stephen De Staebler. Yoke Winged Man (detail), 1994. Bronze, oil paint and patina. Collection of Russ Solomon, Sacramento. Photo by Scott McCue

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FRAME|WORK: A Chasuble from 18th-century France

Posted by Sarah Bailey Hogarty on March 28, 2012

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature two exquisite 18th-century French liturgical vestments, a chasuble and a dalmatic, from the Museums’ permanent collections. Unfortunately, these garments are not currently on view, but please enjoy this exclusive virtual viewing!

Chasuble

Chasuble and Dalmatic, ca. 1700–1710. France, probably Paris. Silk, metallic thread; cut velvet, embroidery (laid work, couching, padded couching). Museum purchase, Dorothy Spreckels Munn Bequest Fund. 2004.9.1.1–2

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Mad Men at the de Young: Protests, Pop Art and Pews

Posted by Sarah Bailey Hogarty on March 27, 2012

On Sunday night, millions of viewers tuned in to watch the much-anticipated season premiere of AMC’s Mad Men. Set in 1960s New York, Mad Men follows the careers and lives of Madison Avenue advertising executives as they negotiate the changing landscape of that mythologized decade. Currently on view at the de Young are three exhibitions that tap into this tumultuous time period: Arthur Tress: San Francisco 1964 (through June 3), New Dimensions: Prints and Multiples from the Anderson Collection (through July 1) and Matter + Spirit: The Sculpture of Stephen De Staebler (through May 13).

Mashup

From left to right: Arthur Tress, Untitled (Coit Tower), 1964. Printed 2010–11. Selenium-toned silver gelatin print. Fine Arts Museums of San Francisco. ©2012 Arthur Tress. Jasper Johns (American, b. 1930). Flag, from the Lead Reliefs series, 1969. Sheet-lead relief. Anderson Graphic Arts Collection, gift of the Harry W. and Mary Margaret Anderson Charitable Foundation. 1996.74.214. Stephen De Staebler. Masks. Photo courtesy the Fine Arts Museums of San Francisco. Artwork © Estate of Stephen De Staebler

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FRAME|WORK: A Panel with a Vase of Flowers Attributed to Matteo Nigetti

Posted by Sarah Bailey Hogarty on March 21, 2012

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a finely crafted work of European decorative art from 17th-century Florence, currently on display in Gallery 5 at the Legion of Honor.

2005.93

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Love and the Maiden: A Tale in Tempera

Posted by Melissa Buron on March 16, 2012

Last month we featured John Roddam Stanhope’s Love and the Maiden in FRAME|WORK, which served as the first in a series of blog posts that will demonstrate key elements of the Aesthetic Movement through this singular painting. In this installment, curatorial assistant of European art Melissa Buron examines how Stanhope's use of tempera paint contributed to the aesthetic of the Victorian avant-garde.

2002.176

John Roddam Spencer Stanhope (English, 1829–1908). Love and the Maiden, 1877. Tempera, gold paint and gold leaf on canvas. Museum purchase, European Art Trust Fund, Grover A. Magnin Bequest Fund and Dorothy Spreckels Munn Bequest Fund. 2002.176

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