Viola Frey’s monumental sculpture, Man Observing Series II, is back from its travels! This is a larger than life sized sculpture made of 13 heavy sections of glazed earthenware ceramics. Teamwork by staff at the Fine Arts Museums of San Francisco returned the sculpture to its original home in the Saxe Gallery at the de Young.
Blog Posts: December 2010
Installation of Japanese Books in the Reva and David Logan Gallery of Illustrated Books
Go behind the scenes at the Legion of Honor as paper conservators prepare and install 37 rare Japanese books for the exhibition Aspects of Mount Fuji in Japanese Illustrated Books from the Arthur Tress Collection.
Hokusai, Untitled (Fuji Seen from Above the Waves), [detail] from the book
One Hundred Views of Fuji, 1835. Collection of Arthur Tress.
Utagawa Hiroshige, Fuji seen through cherry trees, in the book
One Hundred Views of Fuji (Fujimi Hyakuzu), 1859. Collection of Arthur Tress.
The Chinese artist Shi Guorui produced this photograph of the Donner Pass by creating a pinhole camera obscura. The photographic method is just like the oatmeal container pinhole camera you might have made in grade school, but on a much larger scale. The artist put a single small hole in the side of an otherwise light-sealed semi-trailer truck. The light rays passed through this small hole forming an inverted image on a long, curved sheet of sensitized photographic paper. We were told that the artist meditated during the hours-long exposure time.
At 4 feet 2 inches x 17 feet 2 inches, Donner Pass is one of the largest photographs in the Museums’ collection. Due to its unique size, installation required much advanced planning to come up with a method of hanging that was not only safe for the photograph, but also met the visions of the artist and curators. As the artist preferred the immediacy of the uncovered photograph placed directly on the wall, a tailored system of hinging materials and frame installation methods was devised by the paper conservation laboratory to safely meet this vision.
After much preparation, the day of installation had arrived.
By Kim Shuck:
In June 2010 Michael Horse, painter, actor, musician etc, was my partner in a residency at the de Young museum in San Francisco. He wanted this. He gave me a drawing... told me where the horses were to go and what colors... In most ways this is his work... aside from the hours of actually making the piece, that is. Looks pretty good I think. Not sure I would work with anyone else this way but... he's one of a kind.
For more information about Michael's work plug his name into youtube.com and hear him talk about it himself.